Sundance prepares for last film festival in Park City before moving to Boulder : NPR

This is the last year the Sundance Film Festival will be held in Park City, Utah. It is moving to Boulder, Colo., in 2027. Above, the Egyptian Theatre on Main Street in Park City.

Mandalit del Barco/NPR

hide caption

toggle caption

Mandalit del Barco/NPR

The Sundance Film Festival begins for the last time in Park City, Utah before heading to Boulder, Colo., next year. It’s a bittersweet finale for the country’s premier independent film festival, founded by Robert Redford in 1978.

With a gala, the festival plans to pay tribute to the late actor and director, who died of natural causes in September.

“Before he passed earlier this year, [Redford] shared with us this quote: ‘Everybody has a story,'” says the festival’s director, Eugene Hernandez. “This notion is such a great framing for a festival that has always been about finding and sharing with audiences the stories that come from all over the world.”

This year, the festival will screen films that got their starts at Sundance, including Little Miss Sunshine, which went on to be nominated for best picture at the 2007 Oscars.

The festival will also screen a remastered print of the 1969 movie Downhill Racer, in which Redford plays a champion skier. Redford was also a producer on this indie film.

“He would tell this story year after year about getting Downhill Racer made,” recalls Sundance senior programmer John Nein. “It became a way that he understood the notion of protecting independence and protecting the artistic voice of a film. He often used that when he talked to emerging filmmakers, to relate to the struggles that they had in getting their films made the way that they wanted to.”

Nein says one way to recognize that legacy is by programming 40 percent of the slate from first-time filmmakers. More than 16,200 films were submitted from 164 countries. Throughout the year, the Sundance Institute hosts labs and programs and provides grants and fellowships for independent filmmakers.

Over the years, Sundance has been a launching pad for filmmakers such as Quentin Tarantino, Ava DuVernay, The Coen brothers, Ryan Coogler, Chloe Zhao and Paul Thomas Anderson.

Another filmmaker whose career Sundance supported is Rachel Lambert, who says she was inspired by a film Redford directed: Ordinary People.

“It’s a profound legacy a single human being can leave an entire nation’s culture,” she says of Redford. “It’s remarkable.”

Lambert will premiere her newest film, Carousel, a love story starring Chris Pine and Jenny Slate.

Also showing at Sundance: documentaries about Chicano theater pioneer Luis Valdez, singer Courtney Love, tennis star Billie Jean King, and South African leader Nelson Mandela.

Among the features in competition is The Gallerist with Natalie Portman and Jenna Ortega.

Another is The Invite, with Olivia Wilde, Seth Rogen, Penélope Cruz and Edward Norton. The Invite‘s producer, David Permut, has been faithfully attending Sundance since the late 1980s, when he was in the audience for Steven Soderbergh’s breakout Sex, Lies, and Videotape. 

“I never miss Sundance. I’ve been going every year since,” says Permut. “I stay for 10 days, I’m not in and out like a lot of people from Hollywood when they’re there with their film. I love the second week because it’s basically cinephiles from all over the world.”

Permut showed his first film at Sundance — Three of Hearts — in 1993. Last year, his film Twinless won the festival’s audience award.

“I have 57 movies I want to see this coming Sundance,” he says. “For me, it’s about discovery.”

Actress Hana Mana in The Friend’s House Is Here. The film was smuggled out of Iran to premiere at this year’s Sundance Film Festival.

Alma Linda Films

hide caption

toggle caption

Alma Linda Films

Some filmmakers have gone to great lengths to get their work screened this year — including the Iranian film The Friend’s House is Here.

The drama—set in Tehran’s underground art scene — was shot under the radar of Iranian authorities. Amid the country’s recent political turmoil, members of the film’s crew had to drive 11 hours to smuggle the film over the Turkish border to get it to the festival. According to the film’s publicist, the film’s two main actresses were not heard from for weeks during Iran’s recent unrest. The publicist says the women are now safe but have been denied visas by the United States to attend Sundance.