In a fascinating look at the creation of humor in superhero films, Tim Miller’s 2016 blockbuster “Deadpool” stands out for its self-awareness and clever meta-commentary. The film features Ryan Reynolds as the irreverent antihero Deadpool, who not only navigates the chaotic world of superheroes but actively mocks it, often breaking the fourth wall. This unique approach was particularly daring during a period when superhero films were dominantly adored in mainstream cinema, primarily due to the success of the Marvel Cinematic Universe.
Reynolds’ portrayal of Deadpool also includes a tongue-in-cheek nod to his prior role in “X-Men Origins: Wolverine,” a film that received widespread criticism, creating additional layers of humor. The film showcases a myriad of gags, many of which cleverly blend in references that even the audience may overlook. One particular instance demonstrates Reynolds’ affection for his Canadian roots, as his character often references Canada with both admiration and humor.
One of the standout moments occurs when Deadpool, out of costume, is portrayed reading a risqué book titled “The Canadian Mounted.” This seemingly inconsequential detail has roots in the classic 1987 comedy “Planes, Trains and Automobiles,” where the character Del Griffith, played by the late John Candy, similarly reads the same book. Reynold’s admiration for Candy was well-known, and his nostalgic connection to the film led him to integrate this obscure reference into his own work.
When it came time to secure the book as a prop for “Deadpool,” Reynolds assumed it would be a simple request. However, after contacting Paramount, he learned that access to the prop would cost him $5,000. Undeterred, he agreed to rent it, jokingly reallocating part of his own salary to cover the expense.
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This clever homage did not end with the first film; “The Canadian Mounted” made a reappearance in “Deadpool 2,” with Reynolds again footed the bill for its use. The humor takes on a more complex layer when we consider that “The Canadian Mounted” is an actual piece of adult literature, originally published by Beeline Classics in 1981. The author, writing under the pseudonym Michael Flowers, produced a story that has since become a curio of sorts, rediscovered by dedicated internet users delving into the archives of pulp smut.
The book itself is now out of print, but reproductions are available for those curious enough to explore its contents. The plot revolves around a character named Ann-Marie, known for her sexual exploits throughout Canada, presenting a narrative that intertwines with the over-the-top humor that defines the “Deadpool” franchise.
Reynolds’ commitment to weaving these layers of humor and nostalgia into his work reflects not just a deep appreciation for his inspirations, but also a willingness to push boundaries in a genre often criticized for its predictability. This attribute, coupled with Deadpool’s chaotic charm, ensures that the film continues to resonate with audiences, inviting them to scrutinize every detail and perhaps uncover the careful thought behind its seemingly aimless gags.
