Federal defense
The Department of the Interior defended the new exhibit, with a spokesperson saying in a statement that the agency acknowledges “the evils of slavery including its injustices and hypocrisies, and, by telling the stories of the nine slaves that Washington kept in the President’s House, remind us of their essential humanity.”
“These new panels are full of historical context and highlight the momentous events that took place in the President’s House and the other sites at Independence National Historical Park,” the spokesperson said in an email to WHYY News.
“By telling the full story, every triumph, every challenge, and every step towards a more perfect union we strengthen our shared understanding and ensure that future generations inherit not just the land we love, but the truth of the journey that brought us here,” the email continued.
However, Coard likened it to downplaying the evils of the Holocaust and said the same standard could be applied to other important American historical sites.
“If we have presidents like Trump after this one and after that one and after that one, then nobody will know what happened during slavery,” he said. “Nobody will even know what happened during the civil rights struggle of the ’50s and ’60s.”
‘A monument to democracy’
The site originally opened in 2010 after years of archaeological research and community advocacy. The exhibit focused on the contradiction between the nation’s founding ideals and the fact that Washington enslaved people while living just steps from what is now the Liberty Bell.
Some critics, such as Michael Lewis, professor of architecture at Williams College and author of “Philadelphia Builds: Essays on Architecture,” said the site’s focus on slavery overshadowed Washington’s role in shaping the presidency.
However, retired National Park Service archaeologist Jed Levin, who led the excavation that uncovered the foundations of the president’s house, called the original exhibit a “monument to democracy,” and the result of a grassroots effort to create an exhibit that relayed part of “American history that’s not often told.”
“This site spoke to that truth, that fundamental truth of who we are in a way that no other place in the country or the world really did,” Levin said. “And it did it because of a democratic upswell on the part of people in Philadelphia and beyond.”
The city of Philadelphia and the Avenging the Ancestors Coalition, which led the movement to develop the original site, committed to continuing the legal fight over the exhibit. Parker announced in her statement that the city would seek a rehearing on “serious legal issues presented in the Third Circuit panel’s June 18, 2026, decision.”
Activists also vowed to keep the original story alive. Paul Steinke, executive director of the Preservation Alliance for Greater Philadelphia, said his organization would continue to organize volunteers to read from the old panels throughout the coming days.
Mijuel K. Johnson, a guide with The Black Journey: African-American Walking Tour of Philadelphia, said they would continue to visit the site during tours and tell the story of the nine who were enslaved there.
“We will not be erased,” Johnson said.
Over the July Fourth weekend, before the new panels were erected, visitors encountered an incomplete exhibit as activists taped reproductions of the missing panels onto the walls and held public readings from the removed displays. However, on Wednesday, several armed members of the National Park Service Police were seen vigilantly watching over the site.
Some activists, such Dr. Sandra Shachar-Krasnoff of Philadelphia, had been regularly posting information since the site was first dismantled by the Trump administration in January. However, on Wednesday, she was stopped by park service officials after she briefly taped a piece of paper that stated, “the excavation revealed a kitchen and a slave quarters below the President’s House Site” to one of the building’s walls.
She was fined $310.
“There was nothing to indicate that today was any different from previous days when we have been apparently ‘allowed to do this,’ as the officer said,” she told WHYY News. “Well, when did that law change?”
Asked about the incident, an Interior spokesperson told WHYY News by email that “any vandalism, tampering, destroying or defacing of cultural or archeological resources is a federal crime.”
Shachar-Krasnoff said she plans to fight the fine for “vandalism,” but it would deter her from posting fliers in the future.
“The history about our leaders, our founders, involvement in slavery as a part of our history, is important for us to know,” she said. “I love my country and I want all of its citizens to have access to the full story of our history. The good, the bad and the ugly … We can handle the truth.”
The dispute over the slavery exhibit started after President Donald Trump signed an executive order directing federal agencies to remove or revise exhibits deemed to “disparage” American history. Park service workers removed the President’s House exhibit in January, prompting an immediate lawsuit from the city and protests from historians, elected officials and community advocates.
A federal judge sided with the city and ordered the exhibit restored, but the Trump administration appealed to the 3rd Circuit, which sided with the White House last month.
