James Cameron’s third installment in his groundbreaking Avatar series minted green at multiplexes around the globe over the weekend as the year-end holiday box office commenced in earnest.
Avatar: Fire And Ash, from 20th Century and Disney, amassed $345 million in its worldwide opening, the second-best global opening of any 2025 Hollywood title behind fellow Disney Thanksgiving tentpole Zootopia 2. And it’s coming in almost No. 1 everywhere, even winning over tough markets including much of Asia and Latin America, where sci-fi can struggle. One surprise — it came in on the lower end of expectations in North America with $88 million.
The male-skewing film is earning strong audience exits — including an A CinemaScore, in line with the two previous films — despite its running time of more than three and a quarter hours. Disney insiders say this puts the threequel in the driver’s seat.
The first Avatar movie was all but lambasted when it opened to $77 million in 2009, considering its cost, but the angst soon ended as the film picked up momentum on its way to becoming the top-grossing film of all time at the worldwide box office with an astounding $2.97 billion, not adjusted for inflation. It still holds that honor, followed by Marvel’s: Avengers: Endgame and two more Cameron titles, Way of Water and Titanic.
Heading into this weekend, many tracking services had Fire and Ash crossing $100 million domestically, if not more, considering that Way of Water opened domestically to $134 million. Pundits have since come to believe Way of Water benefited from a great pent-up demand.
Also, Way of Water had nine full days of play before the Christmas holiday, while Fire and Ash had six days, with the theory being that some audiences will wait to see the movie until preparations are done and presents unwrapped. All at the same time, threequels can sometimes struggle.
Two movies in particular, possibly taking a bite out of Avatar: Fire and Ash over its opening weekend, were the faith-based David, from Angel Studios. The pic debuted to $22 million from 3,119 theaters a career-high for Angel.
Lionsgate’s R-rated thriller The Housemaid, starring Amanda Seyfried and Sydney Sweeney, followed in third place with $19 million. The film, a throwback to the 1990s, could be a key test for Sweeney following her failed Oscar hopeful, Christy, and launched in third place with $19 million.
Also opening nationwide over the Dec. 19-21 weekend was Paramount’s family pic The SpongeBob Movie: Search for SquarePants, followed in fourth place with $16 million from 3,557 theaters.
And at the specialty box office, A24’s Oscar hopeful Marty Supreme, starring Timonthée Chalamet, celebrated breaking into the top 10 despite playing in just six theaters. The sports biopic earned an estimated $875,000 to serve up a record-breaking per-screen average of $145,933, the highest in A24’s history and among the best ever.
Among specialty holdovers, Focus Features’ awards contender Hamnet, produced by Steven Spielberg and Sam Mendes, among others, rounded out the top 10 and saw its domestic tally grow to $8.2 millon.
